{"id":1737,"date":"2020-10-01T11:14:16","date_gmt":"2020-10-01T09:14:16","guid":{"rendered":"https:\/\/www.anna-polke-stiftung.com\/?page_id=1737"},"modified":"2026-02-10T17:39:47","modified_gmt":"2026-02-10T16:39:47","slug":"polke-post","status":"publish","type":"page","link":"https:\/\/www.anna-polke-stiftung.com\/en\/polke-post\/","title":{"rendered":"Polke Post"},"content":{"rendered":"\n<p>In the POLKE POST we explore current topics or interesting facts around Sigmar Polke\u2019s work and keep you updated on the foundation\u2019s activities and projects. The POLKE POST appears approximately every two to three months. Please enter your details in the registration window <a rel=\"noreferrer noopener\" href=\"https:\/\/www.anna-polke-stiftung.com\/en\/\" target=\"_blank\">here<\/a>. <\/p>\n\n\n\n<p>ARCHIVE:<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-dyjgvb6v-bj1\" target=\"_blank\">POLKE POST 33: Sigmar Polke. Athanor NOW<\/a>: Start of the anniversary year (January 2026)<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-fgk2sswi-9nj\" target=\"_blank\">POLKE POST 32: Sigmar Polke. Athanor NOW<\/a> (December 2025)<\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-em0cbd76-p8n\">POLKE POST 31: Wir Kleinb\u00fcrger<\/a> (October 2025, German only)<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-ch955z8i-1809\" target=\"_blank\">POLKE POST 30: Nachstellung (Reenactment)<\/a> (May 2025)<\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-q7bvdjro-gxt\">POLKE POST 29: <\/a>Polke contemplates Goya (February 2025)<br>Polke's encounter with Franciso de Goya's art<\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-tbu7w4wk-48q\">POLKE POST 28<\/a>: <em>Breathcrystal<\/em> (December 2024)<br>Happy holidays! An encounter with Sigmar Polke's painting <em>Atemkristall <\/em>from 1997, new impulses and food for thought<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-wu3czz90-ch6\" target=\"_blank\">POLKE POST 27: Mother of Invention<\/a> (October 2024)<br>With an extract from the expos\u00e9 of Anja Isabel Schneider, one of the scholarship holders of 2023. <\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-j7xo13bn-s4b\" target=\"_blank\" rel=\"noreferrer noopener\">POLKE POST 26: Queering Visions? Sigmar Polke\u2019s Photo Series&nbsp;<em>S\u00e3o Paulo<\/em> (1975)<\/a><br>With an extract from the expos\u00e9 of Mona Schubert, one of the scholarship holders of 2024. <\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-4ab3y4nm-22g\">POLKE POST 25: Scholarships for academics and photographers<\/a> (March 2024)<br>With an extract from the dissertation by Franziska Kunze (Head of the Collection for Photography and Time-based Media, Pinakothek der Moderne, Munich).<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-tc1n4qv5-n5c\" target=\"_blank\">POLKE POST 24: \"No money for wild animals\" Kuttner, Lueg, Polke, Richter and the beginning of Capitalist Realism in D\u00fcsseldorf<\/a> (February 2024)<\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-oj4tcnaq-6il\">POLKE POST 23: \"Hey Jo, what's with the butter on the bread?\"<\/a> (November 2023)<br>From the estate of Jo Baumann - thanks and appreciation.<\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-o1m6zac7-1zv\">POLKE POST 22: Higher Beings Ordain.<\/a> (September 2023)<br>Johanna Hornauer's recent research on Sigmar Polke's iconic 'Higher Beings'.<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-diqujjc2-15nb\" target=\"_blank\">POLKE POST 21: Against the Grain and Done Without Fear.<\/a> (Juni 2023)<br>Nelly Gawellek in conversation with Michael Trier about Polke's color experiments of the 1980s.&nbsp;<\/p>\n\n\n\n<p><a href=\"Reader: Produktive Bildst\u00f6rung - Book Launch\">POLKE POST 20<\/a> (April 2023)<br>Reader: Productive Image Interference \u2013 Book Launch<\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-hhjxj4sm-krl\">POLKE POST 19<\/a> (February 2023)<br>Ren\u00e9 Block about the term Capitalist Realism<\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-yfad4ufl-11c6\">POLKE POST 18<\/a> (November 2022)<br><em>Dos and Don'ts - smoke without fire.<\/em> Talk with Camille Henrot<\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-p9qnnl3n-lcg\" target=\"_blank\" rel=\"noreferrer noopener\">POLKE POST 17 <\/a>(August 2022)<br>How to Draw Badly, Ian Rothwell<\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-fjjo1qv7-1e4v\">POLKE POST 16&nbsp;<\/a>(May 2022)<br>Ways of Seeing \u2013 a&nbsp;look back at the&nbsp;exhibition&nbsp;<em>Dualism<\/em>&nbsp;in Regensburg by curator Verena Hein<\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-wmff1zbp-r7\">POLKE POST 15<\/a> (March 2022)<br>Dana Bergmann on questions of authorship and&nbsp;<em>Productive Image Interference<\/em><br><br><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-rzmxwteu-ry7\">POLKE POST 14<\/a> (February 2022)<br>Charlotte Lang on Kerstin Br\u00e4tsch and Sigmar Polke.<\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-l9xq9rwj-156e\">POLKE POST 13<\/a> (November 2021)<br>Anniversary project <em>Productive Image Interference and Artistic Perspectives Today<\/em>. <\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-5bk8qzir-h3rr1umq-n1u\">POLKE POST 12<\/a> (August 2021)<br>Sigmar Polke and the magical<br><br><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-tzp3rlrb-12px\">POLKE POST 11<\/a> (June 2021)<br>\"Braque-damaged\". Bice Curiger, Sigmar Polke and France<br><br><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-oe6j5vti-85h\">POLKE POST 10<\/a> (February 2021)<br>Sigmar Polke's 80th Birthday and our anniversary project <em>Productive Image Interference<\/em><\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-jglh57yu-1bht\">POLKE POST 9<\/a> (January 2021)<br>\"Everyone can do easy\", Mike Karstens and Polke's <em>Iceberg<\/em> (2001)<\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-rqj1dztf-5fo\">POLKE POST 8<\/a> (October 2020)<br>Ksenija Tschetschik-Hammerl, scholarship holder of the Anna Polke Foundation, about <em>Polke, Stones and Meteorite<\/em><\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-r6tua5d3-13sc\">POLKE POST 7<\/a> (June 2020)<br>On the 10th anniversary of Polke's death, Jacqueline Burckhardt on his church windows in Grossm\u00fcnster Zurich<\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-fel6u3de-1ar3\">POLKE POST 6 <\/a>(May 2020)<br>Quarantine ABCs provided by the Anna Polke Foundation<\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-3whyfpd2-171z\">POLKE POST 5<\/a> (February 2020)<br>Interview with Nina Bingel (ifa) on the occasion of the exhibition<em> Polke vs. Blaudzun. Music of an Unknown Source<\/em>, Cobra Museum voor Moderne Kunst, Amstelveen<\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-5bk8qzir-ktwud442-8ttnzb6b-k9h\">POLKE POST 4<\/a> (November 2019)<br>From thanks for the donation of a wedding newspaper to the genesis of Polke's <em>B.Z. am Mittag <\/em>(1965)<\/p>\n\n\n\n<p><a href=\"https:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-8z0hfr2a-ogy\">POLKE POST 3<\/a> (July 2019)<br>On Sigmar Polke's <em>Pasadena<\/em> (1968) from a text by Christoph Wagner on the occasion of the 50th anniversary of the moon landing<\/p>\n\n\n\n<p><a href=\"http:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-u3e5nnme-tz6\">POLKE POST 2<\/a>&nbsp;(May&nbsp;2019)<br>Dierk Stemmler on Sigmar Polke's contribution to the 42nd Biennale di Venezia, 1986 (Sorry, German only)<\/p>\n\n\n\n<p><a href=\"http:\/\/archive.newsletter2go.com\/?n2g=o1dbqk13-kj3ofxuv-n0h\">POLKE POST 1<\/a> (February 2019)<br>Sigmar Polke's speech at the awarding of the Erasmus Prize in 1994, after Marguerite Yourcenar's <em>How Wang-Fu was Saved<\/em> (Sorry, German only)<br><br><\/p>\n\n\n\n<h2 id=\"\"><\/h2>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the POLKE POST we explore current topics or interesting facts around Sigmar Polke\u2019s work and keep you updated on the foundation\u2019s activities and projects. The POLKE POST appears approximately every two to three months. Please enter your details in the registration window here. ARCHIVE: POLKE POST 33: Sigmar Polke. Athanor NOW: Start of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.anna-polke-stiftung.com\/en\/wp-json\/wp\/v2\/pages\/1737"}],"collection":[{"href":"https:\/\/www.anna-polke-stiftung.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.anna-polke-stiftung.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.anna-polke-stiftung.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.anna-polke-stiftung.com\/en\/wp-json\/wp\/v2\/comments?post=1737"}],"version-history":[{"count":51,"href":"https:\/\/www.anna-polke-stiftung.com\/en\/wp-json\/wp\/v2\/pages\/1737\/revisions"}],"predecessor-version":[{"id":4992,"href":"https:\/\/www.anna-polke-stiftung.com\/en\/wp-json\/wp\/v2\/pages\/1737\/revisions\/4992"}],"wp:attachment":[{"href":"https:\/\/www.anna-polke-stiftung.com\/en\/wp-json\/wp\/v2\/media?parent=1737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}